Skip navigation
    University of Texas Press contacts  
shopping cart
  Find a book. Journals. For authors. Booksellers & educators. About the Press.  
 
 

1994

6 x 9 in.
236 pp.

ISBN: 978-0-292-70807-5
$25.00, paperback
Print-on-demand title; expedited shipping not available
33% website discount: $16.75

This book is a digital facsimile of the 1994 edition.

 
 

The University of Texas Press will be closed for Thanksgiving on November 26 and 27; we will reopen on Monday, November 30.

 
 
     

Principles of Adaptation for Film and Television

By Ben Brady

 

Table of Contents and Excerpt

 

"What makes this book wonderful, and so different, is that it takes you through adaptations, not just step by step but emotion by emotion . . . not just how but why!"

—Arthur Hiller, president, Academy of Motion Picture Arts and Sciences

"Ben Brady's background as a network producer as well as a teacher certainly makes this unique text must reading for anybody who wants to write for the television or film industry."

—Michael Dann, Capital Cities/ABC Video Enterprises

From All Quiet on the Western Front, the Academy Award-winning "Best Picture" of 1929-1930, to Dances with Wolves, the 1991 winner, many of Hollywood's most popular and enduring movies have been screen adaptations of written work, including novels, stories, and plays. In this practical, hands-on guide, veteran TV and screenwriter Ben Brady unlocks the secrets of the adaptation process, showing aspiring writers and writing teachers how to turn any kind of narrative material into workable, salable screenplays for film and television.

Step by step, Brady guides novice screenwriters to the completion of a professional screenplay. He begins with an incisive discussion of how to evaluate a written work's potential as a screenplay. Then he discusses each step of the writing process, showing how to identify the plot and premise of the play, develop character, treatment, and dialogue, and handle camera language and format. Brady illustrates each of these points by developing and writing a complete screenplay of the novel Claire Serrat within the text.

With these tools, beginning screenwriters can draw on the rich resources of words in print to create exciting screenplays for film and television. Written in vivid, entertaining prose, the book will be equally useful in the classroom or at the kitchen table, wherever enterprising writers ply their craft.

A veteran writer and producer of radio and TV, including "Perry Mason," "The Johnny Carson Show," and "Outer Limits," Ben Brady created and headed the screenwriting department at California State University at Northridge for eighteen years.


 Also by the Author The Understructure of Writing for Film and Television (with Lance Lee)
 Of Related Interest Lee, The Death and Life of Drama
Lee, A Poetics for Screenwriters

Search Books  |  Orders |  Catalogs |  Current Season

Terms of Sale |  Privacy Policy | UT Austin Web Accessibility Guidelines
Copyright © 2003-9 University of Texas Press. All rights reserved.