"...a fine book of essays in the tradition of Barry Lopez, Rick Bass, Annie Dillard.... This is a book for the general reader, written by a truly literary stylist with remarkable renderings of place and character."

—James Magnuson, author of Ghost Dancing

"The essays in Comanche Midnight address my old preoccupations with worlds that have vanished, communication that is sealed off, perceptions that are out of reach. There is an air of mystery about them ...They are a record not just of certain events and people and places, but of the mind that witnessed them, and that is still trying to grasp what it beheld."

—from the Introduction

Writing timeless essays that capture vanished worlds and elusive perceptions, Stephen Harrigan is emerging as a national voice with an ever-expanding circle of enthusiastic readers. For those who have already experienced the pleasures of his writing—and especially for those who haven't—Comanche Midnight collects fifteen pieces that originally appeared in the pages of Texas Monthly, Travel Holiday, and Audubon magazines.

The worlds Harrigan describes in these essays may be vanishing, but his writing invests them with an enduring reality. He ranges over topics from the past glories and modern-day travails of America's most legendary Indian tribe to the poisoning of Austin's beloved Treaty Oak, from the return-to-the-past realism of the movie set of Lonesome Dove to the intimate, off-season languor of Monte Carlo.

If the personal essay can be described as journalism about that which is timeless, then Stephen Harrigan is a reporter of people, events, and places that will be as newsworthy years from now as they are today. Read Comanche Midnight and see if you don't agree.